Visitors to the Decode website can then interact with the piece and create their own version, either at a surface level by manipulating Schmidt's piece, or at a deeper level by downloading the open source code ( here). Saint commissioned Schmidt to create an ever-changing open source artwork (above) that will be used for the exhibition identity (a detailed description of the process is on Schmidt's site here. V&A Decode generative identity from postspectacular on Vimeo. If you want informed opinions, this PDF provides a roundup of reactions from eight actual experts.ĭigital agency Saint and Karsten Schmidt have created a generative marketing campaign for the V&A's new show of digital art and design, Decode. The number of people writing about this online will far exceed the number who know what they're talking about. Using an existing bacteria genome as a model, Venter's team created a new 1.08-million base pair genome and transplanted it into a natual cell, where it took over and started replicating.Īs Venter described it during a press conference this morning, “This is the first self-replicating species we’ve had on the planet whose parent is a computer.” Popular Science says this "opens the door to engineered biology that is completely manipulated by laboratory scientists." Venter wants to use synthetic life to create algae that can eat carbon dioxide and produce fuel, but potential applications include creating new foods, speeding up the production of vaccines, and of course, taking over the world with an army of engineered superorganisms. Craig Venter, the maverick geneticist, has created a new synthetic life form. Sean Adams explains what Oompa Loompas can teach us about color.įor the first time in Layer Tennis history, a typeface was designed live in fifteen minute increments.Good/terrifying news! J. Tositos take over Vimeo, in an ad by Goodby, Silverstein & Partners.īBC goes behind the scenes on their new “global visual language.” How strongly do you associate colour and imagery with brands?ĭesigner Jessica Hische illustrates how her taste in type has evolved. The album covers behind this year’s Grammy winners.Ī new book on designing creative portfolios. Xfinity (formerly Comcast) tops TIME’s worst name change list. São Paulo, Brazil bans all outdoor advertising in an effort to rid the city of what the mayor calls “visual pollution.”ĭesigner George Lois tells the stories behind his twelve favorite classic Esquire covers. Wired attempts to transform the magazine experience with their tablet/ iPad concept. ISO50 asks Erik Spiekermann, Nicolas Felton, and others how to beat creative block. Joe Schulz’s photograph series strips down highway signs.įocus explains the Internet in one gigantic infographic. MTV drops “Music Television” from their logo. Jamie Oliver wins with his wish to teach every child about food. We’ll admit it, we watch the Super Bowl mostly for the ads (one of our favorites came from Google). Neff injects a series of playful illustrations into the brand’s iconic blue stickers.ĭesigned by an architect, and known today as the face of The New York Times, Cheltenham is the latest in our ‘Know your type’ series. Jay Leno returns, but his Tonight Show logo does not.ĭesigner Steven Heller traces the evolution of the tiny symbols for each Olympic sport since their appearance in 1936.ĭesign Related interviews DJ Neff, the art director behind Chiquita’s playful new brand refresh. Our friends at Under Consideration transform cupid.įinally, real fonts on the web! Courtesy of FontFont. Paul Shaw uncovers the truth behind Helvetica & NYC’s subway. Made by Moscow-based designer Anatoly Zenkov, IOGraph (formerly known as MousePath) tracks your cursor’s every move and turns it into art.ĭesigners lend a hand following the recent disaster in Haiti using ampersands, infographics, posters, and more posters ( call for entry).ĪIGA launches a highly anticipated (much-needed) redesign.Įllen Lupton introduces typography to the red carpet.
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